Ed says: I have been collecting and
performing folk songs for over 40 years. My early musical influences
were Frank Profitt, Larry Older, Bob and Evelyn Beers, George and Gerry
Armstrong, and Howie Mitchell. Later I learned from and sang with a
number of other musicians whose commitment and talent were
extraordinary: Gordon Bok, Bob Coltman, Cathy Barton, and Ann Mayo Muir.
Each taught me that it’s the song, not the singer, that’s important.
Over the years I’ve performed in coffee houses, colleges, folk music
festivals, and varied other occasions in the
United States, Canada, and the British Isles. I have
also had the opportunity of appearing on several wonderful radio
programs across the country, including Garrison Keillor’s Prairie Home
Companion (St. Paul, MN) and Rich Warren’s Midnight Special (Chicago).
I’ve learned hundreds of songs, and
probably forgotten as many as I know. My repertoire ranges from
traditional ballads to songs of the sea, labor songs, songs of love, and
parodies. I am not a song writer. I am a song finder and a song crafter.
I gravitate toward beautiful melodies and good stories. While I play
primarily 6 and 12 string guitar, I also play the hammered dulcimer,
which I use primarily as an accompaniment instrument. Singing with the
hammered dulcimer is a little like rubbing your stomach and patting your
head while singing. My recording efforts began in 1964 with the Golden
Ring (Folk Legacy #16), a loose collection of friends who used to gather
in the living room of George and Gerry Armstrong in
Wilmette, Illinois. I’ve been part of 4 other
ensemble recordings since then, as well as recording 4 solo albums, the
most recent of which is Echo on the Evening Tide (Azalia City
Recordings). In addition, for 26 years I sang with Gordon Bok and Ann
Mayo Muir, out of which came 10 CDs. I’ve also had the privilege of
accompanying a number of wonderful musicians, including Don McLean,
Rosalie Sorrels, Mark Spoelstra, Sara Grey, Sally Rogers, Cathy Barton
and Dave Para, and Joe Hickerson.
My greatest musical disappointment was
going to Woodstock in 1969 with Dave
Bromberg and Rosalie Sorrels, getting flown by helicopter at dawn and
seeing all those people, but, in the final analysis, not getting to play
on what admittedly was one of the more minor stages.